Gracie Abrams’ ‘Daughter from Hell’ Struggles to Find Its Voice
Gracie Abrams’ third album, ‘Daughter from Hell,’ feels like a dated relic of the COVID-era pop landscape, failing to elevate its themes beyond vague melodrama.
Gracie Abrams’ third album, ‘Daughter from Hell,’ feels like a dated relic of the COVID-era pop landscape, failing to elevate its themes beyond vague melodrama.
Suki Waterhouse’s third album, ‘Loveland,’ struggles to find a cohesive identity, leaving the listener with a collection of polished but hollow pop tracks.
On his eighth solo album, Little Wide Open, Kevin Morby reflects on the life of a touring musician, the weight of the road, and finding peace in the vast American landscape.