The Black Keys’ ‘Peaches!’ Is a Disappointing Afterthought
The Black Keys’ latest album, Peaches!, attempts to capture a raw, garage-rock aesthetic but ultimately feels like a manufactured and uninspired collection of covers.
The Black Keys’ latest album, Peaches!, attempts to capture a raw, garage-rock aesthetic but ultimately feels like a manufactured and uninspired collection of covers.
After years of toiling in obscurity, Nick Llobet and Micah Prussack have solidified youbet as a force in the indie scene, blending technical precision with raw, emotional songwriting.
Maya Hawke’s fourth album, ‘Maitreya Corso,’ attempts an ambitious fantasy-folk concept that ultimately falters due to tonal inconsistencies and indulgent songwriting.
The heirs of Mitch Mitchell and Noel Redding have lost their legal battle against Sony Music regarding royalty claims for the Jimi Hendrix Experience.
From the surf-rock cool of Pulp Fiction to the soul-stirring folk of O Brother, Where Art Thou?, we rank the 50 most iconic movie soundtracks in cinema history.
In her latest concept album, ‘In Times of Dragons,’ Tori Amos channels ancient Celtic deities and interdimensional allegory to confront the sociopolitical decay of modern America.
In her latest concept album, ‘In Times of Dragons,’ Tori Amos channels ancient deities and personal rebirth to confront the sociopolitical decay of modern America.
Julia Cumming steps away from the indie-rock intensity of Sunflower Bean to explore a more vulnerable, coffee-shop pop sound on her solo debut, ‘Julia’.
The Foo Fighters’ 12th studio album, ‘Your Favorite Toy,’ feels like a hollow retread of past successes rather than a genuine return to form.
Sunflower Bean frontwoman Julia Cumming steps into the spotlight with her first solo record, embracing self-discovery and the art of ‘easy listening.’