New Zealand Metal Show Disrupted by Unsanitary Incident
A recent Devilskin concert in New Zealand took a disturbing turn when a large, feces-like object was discovered in the moshpit, leading to widespread nausea among attendees.
A recent Devilskin concert in New Zealand took a disturbing turn when a large, feces-like object was discovered in the moshpit, leading to widespread nausea among attendees.
British singer Boy George has released a controversial, AI-assisted track titled “We Will Dance Again,” sparking debate over its political messaging.
Paste Staff explores the most influential and iconic tracks of the 1970s, curating a definitive list of the decade’s greatest musical achievements.
Legal proceedings reveal disturbing details regarding the relationship between D4vd and the late Celeste Rivas Hernandez.
Revisiting the 1986 classic Labyrinth, we explore how David Bowie and Trevor Jones transformed a fantasy adventure into a profound coming-of-age story.
Charli XCX explores the blurred lines between truth and artifice in her latest project, a self-referential deep dive into the nature of pop stardom.
Jilian Medford, the artist behind IAN SWEET, discusses her latest album Shiverstruck, the evolution of her sound, and moving past the ‘sad girl’ label.
Stella Lefty’s breakout hit ‘Boston’ is climbing the charts, but critics are questioning its heavy reliance on Noah Kahan’s sound.
Pacha New York returns to the nightlife scene with a collaboration with elrow, embracing a chaotic, un-chic, and infectiously fun atmosphere.
Gracie Abrams’ third album, ‘Daughter from Hell,’ feels like a dated relic of the COVID-era pop landscape, failing to elevate its themes beyond vague melodrama.