feeble little horse Searches for Music’s Future in ‘bitknot’
The Pittsburgh band’s third album, bitknot, offers a nuanced, glitch-filled exploration of online young adulthood and the digital age.
Rhododendron is Ready to Ascend
Portland’s own Rhododendron returns with their first album in five years, ‘Ascent Effort,’ marking a new chapter for the gnarly, genre-defying band.
The Hold Steady’s Franz Nicolay Testifies Before Congress in Live Nation Antitrust Hearing
Keyboardist and author Franz Nicolay addressed the House of Representatives regarding the monopolistic impact of Live Nation and Ticketmaster on the music industry.
Bradley Nowell: The Voice of a Generation He Never Saw
Thirty years after his passing, Bradley Nowell remains a defining figure of the 90s, having missed the global explosion of Sublime’s self-titled masterpiece.
Jeff Parker and the ETA IVtet Find Joy in ‘Happy Today’
Jeff Parker and his ETA IVtet return with ‘Happy Today,’ a sprawling, live-recorded exploration of improvisation, trust, and sonic unity.
Nothing Sounds Accidental on Bill Orcutt and Mabe Fratti’s ‘Almost Waking’
Bill Orcutt and Mabe Fratti unite their distinct experimental styles on their collaborative debut, ‘Almost Waking,’ a masterclass in textural improvisation.
15 Years Ago, Adele Won a Huge Year in Pop
In 2011, while the charts were dominated by high-energy dance-pop, Adele’s soulful, timeless sound quietly took over the world.
Thomas Dollbaum’s Music is God’s Country
New Orleans-based songwriter Thomas Dollbaum discusses his latest album, Birds of Paradise, and the art of capturing memory through song.
Chrome Hearts Drops Trademark Lawsuit Against Neil Young
The high-end fashion brand Chrome Hearts has officially abandoned its trademark infringement claim against Neil Young and his backing band.
Sub*T Go All In: Finding Their Voice in the Noise
From internet-bound fangirls to a formidable rock duo, Jade Alcantara and Grace Bennett of Sub*T discuss their debut album, How My Own Voice Sounds.