Rhododendron is Ready to Ascend
Portland’s own Rhododendron returns with their first album in five years, ‘Ascent Effort,’ marking a new chapter for the gnarly, genre-defying band.
Portland’s own Rhododendron returns with their first album in five years, ‘Ascent Effort,’ marking a new chapter for the gnarly, genre-defying band.
Keyboardist and author Franz Nicolay addressed the House of Representatives regarding the monopolistic impact of Live Nation and Ticketmaster on the music industry.
Thirty years after his passing, Bradley Nowell remains a defining figure of the 90s, having missed the global explosion of Sublime’s self-titled masterpiece.
Jeff Parker and his ETA IVtet return with ‘Happy Today,’ a sprawling, live-recorded exploration of improvisation, trust, and sonic unity.
Bill Orcutt and Mabe Fratti unite their distinct experimental styles on their collaborative debut, ‘Almost Waking,’ a masterclass in textural improvisation.
In 2011, while the charts were dominated by high-energy dance-pop, Adele’s soulful, timeless sound quietly took over the world.
New Orleans-based songwriter Thomas Dollbaum discusses his latest album, Birds of Paradise, and the art of capturing memory through song.
The high-end fashion brand Chrome Hearts has officially abandoned its trademark infringement claim against Neil Young and his backing band.
From internet-bound fangirls to a formidable rock duo, Jade Alcantara and Grace Bennett of Sub*T discuss their debut album, How My Own Voice Sounds.
In an attempt to prepare for potential disruptions, Israeli Eurovision contestant Noam Bettan trained with recorded heckling and boos.