Sufjan Stevens, Bon Iver and More to Feature on New Jan St. Werner EP
Jan St. Werner of Mouse on Mars has announced his upcoming EP, ‘Squares Will Fall,’ featuring a star-studded lineup including Sufjan Stevens and Bon Iver.
On Long Way Home, Stella Lefty Has No Clue Where She’s Going
Stella Lefty’s debut album, Long Way Home, struggles to find an identity, relying on derivative sounds and shallow songwriting that fails to resonate.
Nirosta Steel Addresses Allegations Following Social Media Controversy
Musician Steven Hall, known as Nirosta Steel, has issued a formal statement regarding recent allegations of suspicious social media activity.
Asher White Puts Love in the Groove on ‘Love Aggregates’
Asher White’s latest album, Love Aggregates, is a masterful collection of sound and emotion that perfectly captures the complexity of human connection.
Chat Pile Make Grotesque Music for a Grotesque World on ‘Who Loves the Sun’
The Oklahoma City sludge-metal band’s third album, Who Loves the Sun, takes capitalism to task with blood-curdling screams and pulverizing instrumentation.
Bad Bunny Scores Major Victory in Reggaeton Copyright Suit
A federal judge has ruled in favor of Bad Bunny and other artists, dismissing a massive copyright claim regarding the reggaeton ‘dembow’ rhythm.
The Internet Hoax of Betty Hammerschlag: A Middle-Aged Man’s Deception
A recent investigation has revealed that the rising Gen Z indie sensation Betty Hammerschlag is actually a 47-year-old German musician named Tilman Hornig.
Melinda French Gates brings Daisy Chain Fields charity total to $20 million
Melinda French Gates has matched the $10 million raised at Olivia Rodrigo’s inaugural Daisy Chain Fields festival, doubling the total donation to $20 million.
The 100 Greatest Songs of the 1980s
Paste Magazine explores the most innovative decade in music history with a definitive ranking of the 100 greatest songs of the 1980s.
KATSEYE’s ‘WILD’ EP: A Study in Manufactured Pop
KATSEYE’s latest EP, WILD, struggles to find a cohesive identity, leaving listeners with a collection of tracks that feel more like algorithmic content than genuine artistry.