Three Songs, No Filler: What Riviir’s Debut Says About the Rapper Behind It
Riviir’s debut EP is a masterclass in outward-facing storytelling, prioritizing the lives of others over self-mythologizing.
Suki Waterhouse Lacks Artistic Perspective on ‘Loveland’
Suki Waterhouse’s third album, ‘Loveland,’ struggles to find a cohesive identity, leaving the listener with a collection of polished but hollow pop tracks.
Maya Hawke’s ‘Maitreya Corso’ Struggles Under the Weight of Its Own Ambition
Maya Hawke’s fourth album, ‘Maitreya Corso,’ attempts an ambitious fantasy-folk concept that ultimately falters due to tonal inconsistencies and indulgent songwriting.
Lifeguard are at their most instinctive and volatile on Ultra Violence / Appetite
The Chicago trio’s new maxi single takes their sound in a scratchier, more primitive direction than 2025’s Ripped and Torn.
Arlo Parks Explores the Aftermath of Nightlife in ‘Ambiguous Desire’
A Shift in Sonic Direction…
Beyond ‘Shake Some Action’: Reevaluating the Flamin’ Groovies’ Teenage Head
A Cult Classic Reconsidered Time…
MMBD Get Real on “Together Apart”
There’s a reason Makes My…
Bruklin’s “Daydreaming”: A Daring Reinvention of Pop with R&B Vibes
Bruklin’s latest single, “Daydreaming” redefines…