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  • May 31, 2022

Exclusive Photos: TURNSTILE at Brooklyn Steel

One of the perks of…

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  • May 31, 2022

Exclusive: Eyedress Bares It All With “STILL IN LOVE”

Idris Vicuña, better known by…

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  • May 31, 2022

The 10 Best Albums of May 2022

Summer is heating up and…

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  • May 31, 2022

Record Time: New & Notable Vinyl Releases (May 2022)

Record Time is Paste’s monthly…

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  • May 28, 2022

The 8Ball & MJG and UGK Verzuz as Scored by an Unbiased Music Editor

There are few things that…

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  • May 28, 2022

“I Was Just the Kid That Showed Up”: Steve Earle on Jerry Jeff and Learning from Its Namesake

One of the rare, decidedly…

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  • May 28, 2022

Stars Look Back and Aim Forward on From Capelton Hill

Canadian indie-pop mainstays Stars have…

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  • May 27, 2022

Depeche Mode’s Andy “Fletch” Fletcher Dead at 60

Founding Depeche Mode member and…

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  • May 26, 2022

M.I.A. Returns With “The One,” Confirms New Album MATA

English electro-pop perfectionist M.I.A. has…

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  • May 26, 2022

Paste Studio at DelFest, May 26-29

Paste Studio is headed back…

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Recent Posts

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  • Maya Hawke’s ‘Maitreya Corso’ Struggles Under the Weight of Its Own Ambition
  • Jimi Hendrix’s Bandmates’ Estates Lose Royalties Case in Court
  • The 50 Greatest Movie Soundtracks of All Time




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  • The Black Keys’ ‘Peaches!’ Is a Disappointing Afterthought
  • youbet: The Late-Blooming Duo Finding Their Universe
  • Maya Hawke’s ‘Maitreya Corso’ Struggles Under the Weight of Its Own Ambition
  • Jimi Hendrix’s Bandmates’ Estates Lose Royalties Case in Court
  • The 50 Greatest Movie Soundtracks of All Time
  • Tori Amos vs. the Lizard Demons: A Mythological Reckoning
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