Young Meepa has recently released MXTPE #2: misanthropy. Dropping at midnight on December 4, 2025, the mixtape captures rage, reflection, and survival in their rawest form.
From the opening moments, MXTPE #2: misanthropy feels confrontational by design. The title itself points to a worldview shaped by repeated harm. For Young Meepa, misanthropy isn’t abstract theory. It’s a response formed through lived experience, rooted in displacement, addiction, and constant exposure to systems that fail people on the margins.
The project’s lead single, “Blood and Semen (I Hate Police),” makes that stance impossible to ignore. Intentionally extreme, the track pulls directly from Meepa’s experiences navigating homelessness, street life, and policing. The violence in the song is exaggerated on purpose, not as a threat, but as an artistic purge. It’s an outlet shaped by trauma.
Elsewhere on the mixtape, the anger gives way to something equally heavy. Lines like “I was already used to abuse” reveal the emotional core beneath the chaos. The statement doesn’t describe a single incident. Instead, it reflects a pattern, harm repeated so often that it becomes normalized. There’s exhaustion in the words, but also clarity.
MXTPE #2: misanthropy moves between confrontation and resignation. On one hand, it shows how deeply damage can settle into someone’s sense of self. On the other hand, it documents endurance. Survival here isn’t heroic or romantic. It’s practical. It’s continuing to exist despite pain that no longer surprises.
Importantly, Young Meepa never asks for sympathy. The mixtape operates as a quiet indictment of systems and environments that allow harm to become routine. The anger, mistrust, and defensive posture in the music are explained, not excused. They exist because of what has been lived.
Meanwhile, MXTPE #2: misanthropy builds directly on Meepa’s debut, MXTPE #1, which first introduced his uncompromising approach through “BCA (Bug Chasers Anonymous).” Where that project shocked listeners into attention, this one deepens the conversation.
