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  • October 18, 2025October 18, 2025

Time Capsule: Green Day, Insomniac

It’s a safe wager that…

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  • October 17, 2025October 17, 2025

They Are Gutting A Body Of Water Confront False Pleasures on LOTTO

In a recent interview with…

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  • October 17, 2025October 17, 2025

On And Your Song is Like a Circle, Skullcrusher Makes Peace With Looking Back

Skullcrusher, the project of West…

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  • October 17, 2025October 18, 2025

Sudan Archives Marches to the Beat of Her Own Drum Machine On The BPM

When I saw Brittney Parks,…

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  • October 17, 2025October 18, 2025

COVER STORY | It’s a Tweedy Family Affair

It’s the dawn of COVID…

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  • October 17, 2025October 19, 2025

The 250 Greatest Albums of the 21st Century So Far: 50-1

The last of our Greatest…

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  • October 17, 2025October 17, 2025

Kelly Monrow Reclaims Her Voice with “Fighter”

Kelly Monrow on “Fighter,” Finding…

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  • October 16, 2025October 17, 2025

Watch Cassandra Coleman’s Paste Session in Chicago

During our weekend in Chicago…

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  • October 16, 2025October 17, 2025

10 Songs You Need to Hear This Week (October 16, 2025)

At Paste Music, we’re listening…

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  • October 16, 2025October 16, 2025

Militarie Gun Blow Up, Break Down, and Break Through On God Save the Gun

By all accounts, God Save…

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Recent Posts

  • As The Last Waltz lives on, its rendition of “Helpless” remains eternal
  • Notes on “It Makes No Difference,” the emotional ballast of The Last Waltz
  • Angara Join Embassy One with New Single Out at Sea ft. Ren Ocean
  • My Bloody Valentine join No Music For Genocide boycott
  • Ken Pomeroy: The Best of What’s Next




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  • As The Last Waltz lives on, its rendition of “Helpless” remains eternal
  • Notes on “It Makes No Difference,” the emotional ballast of The Last Waltz
  • Angara Join Embassy One with New Single Out at Sea ft. Ren Ocean
  • My Bloody Valentine join No Music For Genocide boycott
  • Ken Pomeroy: The Best of What’s Next
  • No Album Left Behind: Ninajirachi’s I Love My Computer is a restless, shapeshifting debut
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